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You
Can Never Have Too Many Remotes
MONDAY, JULY 5, 2004 9:28 PM
It's nice to know that the guy
who created the first remote control is as disappointed as I am that
we all still have to have so many remotes. This is the
situation in my house. The left remote is for the digital cable box—only
because we have an awesome deal on HBO; the second from the left is the
"universal" remote that came with the tuner that controls the
sound on all the devices (radio, TV, DVD player, CD player, VCR, cable
box, and TV recording and playing computer), but doesn't quite totally
replace the functionality of any of the individual device remotes; the
middle remote is the DVD remote; the next one is the five device "universal"
remote that pretty much only controls the TV and its volume and the input
button puts it on whatever non-TV device the tuner is set on; and the
last remote is the VCR remote—needed to program the VCR and watch
movies, though we don't use that much.
MAYBE
THIS IS HOW DIVERSITY TRAINING SHOULD ALWAYS BE
So there was a great story in SFGate.com about the
49ers diversity workshop that apparently wasn't a mockable mess, but
rather interesting. The exercises they did and getting to actually learn
about the diversity within the team also sounded pretty worthwhile. And
"Brown
Eyes, Blue Eyes''? Totally saw that
in junior high.
AND
NOW FOR SOMETHING KIND OF RELATED
Friday was the 40th anniversary of the signing of the Civil
Rights Act of 1964.
FOR
THE SAKE OF CONTRAST
So Disney, yes that same Disney that agreed to make Michael
Moore's film but then not release it, has
put out a film that's apparently an obvious contrast to Fahrenheit
9/11 (but the Mouse never said that so don't go suggesting
that). Still haven't seen Fahrenheit thanks to it being very sold out
this weekend. America's
Heart and Soul, which opened last Friday sounds like an incredibly
worthy and valuable project—telling the stories of "ordinary"
Americans and celebrating the good things about America. But the people
in the SFGate story who were all "I don't want to see Michael Moore's
movie because he's so negative" kind of scare me. You don't have
to agree with him, but there's a value to a movie that makes you think
or at least question the choices made by the guys running the place. You
can respect an opinion and disagree with it. (Admittedly, I wonder a bit
about Michael Moore on that point, especially with his whole threat
to sue anyone who tried to "defame" him.) We don't live
in a shiny, happy, perfect America, but it's not all horribly depressing
either. But not recognizing or acknowledging that there is good and bad
is such a personal disservice.
Completely unfair box office
totals comparison (fire of controversy take vs. typical documentary take):
Fahrenheit 9/11:
$21 million, $12,174 per screen average, second at the box office behind
Spider-Man
2's insane $115 million
America's Heart and Soul: $173,000, $1,765 per screen
average
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